Værker til salg i The Studio Gallery af Keith Ryan Lopez
Læs KUNSTAVISENS anmeldelse af udstillingen her
Keith Lopez udstiller en serie abstrakte fortællinger. Fortællingerne er legende, eksperimenterende og virker somom de kommer fra et helt unikt og anderledes univers.
Læs KUNSTAVISENS anmeldelse af udstillingen her
Keith Lopez udstiller en serie abstrakte fortællinger. Fortællingerne er legende, eksperimenterende og virker somom de kommer fra et helt unikt og anderledes univers.
'March of the elephants'
Mål: 38x28 cm
Blandteknik på papir
Indramning: Dyb sort ramme
2016
Pris 2600 Kr.
Pris 2600 Kr.
'Parade, crowd'
Mål: 7,5x20,5 cm
Blandteknik på papir
Indramning: Dyb sort ramme
2016
Pris 1400 Kr.
Pris 1400 Kr.
'Parade, clown (a)'
Mål: 10x10 cm
Blandteknik på papir
Indramning: Dyb sort ramme
2016
Pris: 1000 Kr.
'Parade, clown (b)'
Mål: 10x28 cm
Blandteknik på papir
Indramning: Dyb sort ramme
2016
Pris: 1800 Kr.
Pris: 1800 Kr.
'Hop'
Mål: 33x50,5 cm
Blandteknik på papir
Indramning: Dyb sort ramme
2016
Pris: 3200 Kr.
Pris: 3200 Kr.
ARTIST STATEMENT
In this work, I focus on moments that develop within learned and reactionary responses
within varied subject matter. The varied themes in this body of work range from studies within
flocks and herds and the migration patterns therein, battle plans and attack formations, landscape
studies stemming from ukiyo-e Japanese woodblocks and investigations of the circus. I investigate
reflections and extensions of moments that I see as a combination of visual navigation. There
fragmentation in the work derives from a selective way of gathering information within the process
of visual acuity, the paths and tracking of.
My influences range from early Renaissance to contemporary. My work gathers from
numerous origins driven by interactions. The interest into the makeup of the circus experience stems
from Alexander Calder’s work exploring the circus, from 1926-31.
In this work, I focus on moments that develop within learned and reactionary responses
within varied subject matter. The varied themes in this body of work range from studies within
flocks and herds and the migration patterns therein, battle plans and attack formations, landscape
studies stemming from ukiyo-e Japanese woodblocks and investigations of the circus. I investigate
reflections and extensions of moments that I see as a combination of visual navigation. There
fragmentation in the work derives from a selective way of gathering information within the process
of visual acuity, the paths and tracking of.
My influences range from early Renaissance to contemporary. My work gathers from
numerous origins driven by interactions. The interest into the makeup of the circus experience stems
from Alexander Calder’s work exploring the circus, from 1926-31.
Med på udstillingen
'kunst (med småt)'
Blandteknik på papir
indrammet i sort box ramme
2014
Pris 650 Kr.
Blandteknik på papir
indrammet i sort box ramme
2014
Pris 650 Kr.
Blandteknik på papir
indrammet i sort box ramme
2014
solgt
Andre værker udstillet i galleriet:
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Blandteknik på papir
41x29 cm
Mål med ramme:
Presentation: Sort ramme i træ
2014
Pris: 2000 Kr.
Blandteknik på papir
41x29 cm
Mål med ramme:
Presentation: Sort ramme i træ
2014
solgt
Blandteknikt på papir
41x29 cm
Mål med ramme:
Presentation: Sort ramme i træ
2014
solgt
Blandteknik på papir
41x29 cm
Mål med ramme:
Presentation: Sort ramme i træ
2014
Pris: 2000 Kr.
.JPG)
Blandteknik på papir
CV
KEITH LOPEZ
5000 Odense C, DENMARK
Exhibitions 2004 The Body in Question, The Space at Alice, Providence, RI
2003 Faculty Exhibition, Wadleigh Gallery, Chester College of New England
2003 MFA Exhibition, RISD Museum, RISD
2003 “Printmaking and Digital Media,” Sol Koffler Gallery, RISD
2003 “Wall of Draw: Graduate Drawing Exhibition,” Sol Koffler Gallery, RISD
2002 “Printmaking Biennial,” Woods-Gerry Gallery, RISD
2000 “First Annual Print Scholarship Exhibit,” Print Studio South, Charleston, SC
1995-99 “Young Contemporaries,” College of Charleston
1997-00 “Salon de Refusés,” College of Charleston
1997-99 Entrance work to Simmons Art Center, School of the Arts, College of
Charleston
1998 “Keith R. Lopez” solo show, City Gallery, Charleston, SC
1997 “Brad Kneece/Keith Lopez” two-man show, College of Charleston
1997 Osaka Triennale 1997 Print, 8th International Contemporary Art
Competition, Osaka, Japan
1997 “Spirituality in the Arts,” Fra Angelico Foundation, Fassbender Gallery,
Chicago, IL
1997 Charlestowne Montessori School Auction, Charleston, SC
1997 “Encounters,” College of Charleston
1997 “Mostra,” Visual Arts Gallery, University of Georgia, Athens, GA
1996 “New Works,” three man show, College of Charleston
1996 “Mostra,” Cortona, Italy
1996 “The Plantation Pastoral: Fables in the Field,” juried site work,
McLeod Plantation, Charleston, SC
1996 Piccolo Spoleto Juried Exhibit, Charleston, SC
1995 “Recent Works,” Charleston, SC
Publications 1999 Cover image, College of Charleston, School of the Arts Calendar,
January – May, 1999
1997 Osaka Triennale 1997 Print, 8th International Contemporary Art
Competition, Osaka, Japan
Collections 2003 Graduate Studies Department, RISD
1998 Special Collections, College of Charleston Library, College of Charleston
Keith Lopez
Awards 2003 Graduated with Honors, RISD
2002 Honors Student, RISD
2001-3 Presidential Scholar, double juried merit scholarship, RISD
2000 Merit Scholarship, “First Annual Print Scholarship Exhibit,” Print Studio
South, Charleston, SC
1999 Cover Image, January-May 1999, School of the Arts Calendar,
College of Charleston
1997 Laura M. Bragg Award, College of Charleston
1997 Outstanding Student Award, College of Charleston
1997 Departmental Honors, College of Charleston
1997 Honorable Mention, “Spirituality in the Arts,” Fra Angelico
Foundation, Fassbender Gallery, Chicago, IL
1996 First in Show, 1996 Piccolo Spoleto Juried Exhibit, Charleston, SC
1996 Scholarship for “The Oriental Woodblock” seminar at Print Studio South,
Charleston, SC
Education Rhode Island School of Design Providence, RI 2001-2003
Master of Fine Arts in Printmaking with Honors
Studied Understanding Online Art and Digital Culture with Robert Atkins, Issues in
Contemporary Art with curator Lasse B. Antonsen. Studied under and received
teacher assistantships twice from artist and author of CHINE COLLÉ: A Printer’s
Handbook, Brian Shure
Brown University Providence, RI 2002-2003
Teaching Certificate from the Harriet W. Sheridan Center
College of Charleston Charleston, SC 1994 - 2002
Bachelor of Arts in Studio Arts 1997
Concentration in Printmaking and Sculpture
Continuing Education, Printmaking and Sculpture 1997 – 2002
The Cortona Program Cortona, Italy 1996
Through the University of Georgia
Trident Technical College Charleston, SC 1993
General Studies
University of Alabama Tuscaloosa, AL 1992
Keith Lopez
Educational Employment History
Chester College of New England Chester, NH 2003-04
Professor of Drawing 101 C and D in 2003. Professor of Drawing 101 and Special
Topics: Plaster and Concrete (advanced sculpture class) in 2004.
Rhode Island School of Design (RISD) Providence, RI 2001-2003
Teaching: Instructor of Record for Aluminum at Hand: an introduction to aluminum
plate lithography Teaching Assistantships and Studio Monitor Positions
• Teaching Assistantship in Printmaking, 2002: Life Drawing in
Lithography
• Teaching Assistantship in Printmaking, 2002: Junior Seminar
• Teaching Assistantship in Printmaking, 2001: Junior Critique
• Teaching Assistantship in Graduate Studies, 2001: Understanding
Online Art and Digital Culture
• Studio Monitor in Intaglio, Lithography and Silkscreen Studios
2001-2002
College of Charleston Charleston, SC 1996-1997
Studio Art Assistant for the Studio Art Department.
• Worked closely with faculty and other studio assistants maintaining
and improving the studios.
• Assisted undergraduates with a variety of media processes.
• General Studies
Teaching Experience
2004 Professor of Special Topics: Plaster and Concrete, advanced sculpture course at
Chester College of New England, Chester, NH
2004 Professor of Drawing I01 at Chester College of New England, Chester, NH
2003 Professor of Drawing I01 C at Chester College of New England, Chester, NH
2003 Professor of Drawing I01 D at Chester College of New England, Chester, NH
2003 Instructor of Record for Aluminum at Hand: an introduction to aluminum
plate lithography, RISD
2002-3 Assisted with The Orchid Thief by Jane Kent, RISD Print Editions
2002 Teaching Assistantship for Life Drawing in Lithography, RISD
2002 Teaching Assistantship for the Junior Seminar class in printmaking, RISD
2001 Teaching Assistantship for the Junior Critique class in printmaking, RISD
2001 Teaching Assistantship for Understanding Online Art and
Digital Culture, RISD
2001-3 Studio Monitor for the Intaglio, Lithography and Silkscreen studios, RISD
1999 Assisted with the installation of “Kathryn Owens: New Works,”
College of Charleston
1998 Designed and made frames, matted, and hung “Keith R. Lopez,”
City Gallery, Charleston, SC
1997 Coordinated and assisted in Patrick Dougherty’s “The Path of
Keith Lopez
Least Resistance” site specific work for “Human/Nature,” Piccolo
Spoleto Festival, Charleston, SC
1996-97 Studio Assistant with the Studio Art Department, College of Charleston
1996 Assisted with “Progeny,” a site work by Phyllis Constranich,
Robin McAddam, and Yvette Parker for “Sticks and Bones” exhibition,
Piccolo Spoleto Festival, Charleston, SC
Blandteknik på papir
41x29 cm
Mål med ramme:
Presentation: Sort ramme i træ
2014
solgtCV
KEITH LOPEZ
5000 Odense C, DENMARK
Exhibitions 2004 The Body in Question, The Space at Alice, Providence, RI
2003 Faculty Exhibition, Wadleigh Gallery, Chester College of New England
2003 MFA Exhibition, RISD Museum, RISD
2003 “Printmaking and Digital Media,” Sol Koffler Gallery, RISD
2003 “Wall of Draw: Graduate Drawing Exhibition,” Sol Koffler Gallery, RISD
2002 “Printmaking Biennial,” Woods-Gerry Gallery, RISD
2000 “First Annual Print Scholarship Exhibit,” Print Studio South, Charleston, SC
1995-99 “Young Contemporaries,” College of Charleston
1997-00 “Salon de Refusés,” College of Charleston
1997-99 Entrance work to Simmons Art Center, School of the Arts, College of
Charleston
1998 “Keith R. Lopez” solo show, City Gallery, Charleston, SC
1997 “Brad Kneece/Keith Lopez” two-man show, College of Charleston
1997 Osaka Triennale 1997 Print, 8th International Contemporary Art
Competition, Osaka, Japan
1997 “Spirituality in the Arts,” Fra Angelico Foundation, Fassbender Gallery,
Chicago, IL
1997 Charlestowne Montessori School Auction, Charleston, SC
1997 “Encounters,” College of Charleston
1997 “Mostra,” Visual Arts Gallery, University of Georgia, Athens, GA
1996 “New Works,” three man show, College of Charleston
1996 “Mostra,” Cortona, Italy
1996 “The Plantation Pastoral: Fables in the Field,” juried site work,
McLeod Plantation, Charleston, SC
1996 Piccolo Spoleto Juried Exhibit, Charleston, SC
1995 “Recent Works,” Charleston, SC
Publications 1999 Cover image, College of Charleston, School of the Arts Calendar,
January – May, 1999
1997 Osaka Triennale 1997 Print, 8th International Contemporary Art
Competition, Osaka, Japan
Collections 2003 Graduate Studies Department, RISD
1998 Special Collections, College of Charleston Library, College of Charleston
Keith Lopez
Awards 2003 Graduated with Honors, RISD
2002 Honors Student, RISD
2001-3 Presidential Scholar, double juried merit scholarship, RISD
2000 Merit Scholarship, “First Annual Print Scholarship Exhibit,” Print Studio
South, Charleston, SC
1999 Cover Image, January-May 1999, School of the Arts Calendar,
College of Charleston
1997 Laura M. Bragg Award, College of Charleston
1997 Outstanding Student Award, College of Charleston
1997 Departmental Honors, College of Charleston
1997 Honorable Mention, “Spirituality in the Arts,” Fra Angelico
Foundation, Fassbender Gallery, Chicago, IL
1996 First in Show, 1996 Piccolo Spoleto Juried Exhibit, Charleston, SC
1996 Scholarship for “The Oriental Woodblock” seminar at Print Studio South,
Charleston, SC
Education Rhode Island School of Design Providence, RI 2001-2003
Master of Fine Arts in Printmaking with Honors
Studied Understanding Online Art and Digital Culture with Robert Atkins, Issues in
Contemporary Art with curator Lasse B. Antonsen. Studied under and received
teacher assistantships twice from artist and author of CHINE COLLÉ: A Printer’s
Handbook, Brian Shure
Brown University Providence, RI 2002-2003
Teaching Certificate from the Harriet W. Sheridan Center
College of Charleston Charleston, SC 1994 - 2002
Bachelor of Arts in Studio Arts 1997
Concentration in Printmaking and Sculpture
Continuing Education, Printmaking and Sculpture 1997 – 2002
The Cortona Program Cortona, Italy 1996
Through the University of Georgia
Trident Technical College Charleston, SC 1993
General Studies
University of Alabama Tuscaloosa, AL 1992
Keith Lopez
Educational Employment History
Chester College of New England Chester, NH 2003-04
Professor of Drawing 101 C and D in 2003. Professor of Drawing 101 and Special
Topics: Plaster and Concrete (advanced sculpture class) in 2004.
Rhode Island School of Design (RISD) Providence, RI 2001-2003
Teaching: Instructor of Record for Aluminum at Hand: an introduction to aluminum
plate lithography Teaching Assistantships and Studio Monitor Positions
• Teaching Assistantship in Printmaking, 2002: Life Drawing in
Lithography
• Teaching Assistantship in Printmaking, 2002: Junior Seminar
• Teaching Assistantship in Printmaking, 2001: Junior Critique
• Teaching Assistantship in Graduate Studies, 2001: Understanding
Online Art and Digital Culture
• Studio Monitor in Intaglio, Lithography and Silkscreen Studios
2001-2002
College of Charleston Charleston, SC 1996-1997
Studio Art Assistant for the Studio Art Department.
• Worked closely with faculty and other studio assistants maintaining
and improving the studios.
• Assisted undergraduates with a variety of media processes.
• General Studies
Teaching Experience
2004 Professor of Special Topics: Plaster and Concrete, advanced sculpture course at
Chester College of New England, Chester, NH
2004 Professor of Drawing I01 at Chester College of New England, Chester, NH
2003 Professor of Drawing I01 C at Chester College of New England, Chester, NH
2003 Professor of Drawing I01 D at Chester College of New England, Chester, NH
2003 Instructor of Record for Aluminum at Hand: an introduction to aluminum
plate lithography, RISD
2002-3 Assisted with The Orchid Thief by Jane Kent, RISD Print Editions
2002 Teaching Assistantship for Life Drawing in Lithography, RISD
2002 Teaching Assistantship for the Junior Seminar class in printmaking, RISD
2001 Teaching Assistantship for the Junior Critique class in printmaking, RISD
2001 Teaching Assistantship for Understanding Online Art and
Digital Culture, RISD
2001-3 Studio Monitor for the Intaglio, Lithography and Silkscreen studios, RISD
1999 Assisted with the installation of “Kathryn Owens: New Works,”
College of Charleston
1998 Designed and made frames, matted, and hung “Keith R. Lopez,”
City Gallery, Charleston, SC
1997 Coordinated and assisted in Patrick Dougherty’s “The Path of
Keith Lopez
Least Resistance” site specific work for “Human/Nature,” Piccolo
Spoleto Festival, Charleston, SC
1996-97 Studio Assistant with the Studio Art Department, College of Charleston
1996 Assisted with “Progeny,” a site work by Phyllis Constranich,
Robin McAddam, and Yvette Parker for “Sticks and Bones” exhibition,
Piccolo Spoleto Festival, Charleston, SC
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